Memory Lane: Barcus Berry Hot Dot Box Review

Aloha!

I find products to review all over the place, but today we have a first – a box I picked out of the trash at work – the Barcus Berry Hot-Dot Box. Well, not really the trash, but an electronics recycling bin…

Barcus Berry has been around since 1963, and they introduced innovations such as the electric violin and piezo pickups for lots of different applications. The Hot Dot Box fits well into what they were doing in the early 1970s, as this active DI/preamp/boost box would really help out an acoustic player that needed assistance with getting their signal heard.

There is really not much to the Hot-Dot Box, it is a bent sheet aluminum box with a single ¼-inch input and a single 1/4-inch output, and that is it – no knobs or lights, and no switches to stomp on with your foot. It measures 4.25 x 2.25 x 1.5 inches, and it weighs around a quarter pound.

Sliding the case apart (no screws required), the insides are pretty basic too: a couple of Switchcraft jacks, a 9-volt battery clip, two transistors, a trimmer pot, and a handful of capacitors and resistors. The printed circuit board is dated 1972, which seems about right for this.

Bringing this thing into the context of today, I have tried the Hot-Dot out with my acoustic and electric guitars and it pretty much did exactly what I thought it would – it made everything louder. There was no added hum or anything offensive, just a healthy clean boost that seemed a little bit warmer than the source signal. Where it shined the most was with the humbuckers on my Les Paul, and it provided that little bit of extra front-end oomph for distorting out my tube amp.

The Barcus Barry Hot-Dot Box is cool, and I would like to experiment with putting it in different parts of my signal chain to see how it affects overall tone. I’ll let you all know if something extra-neat comes out of this – not too bad for something that was going to get thrown away!

Mahalo!

Memory Lane: BOSS OS-2 OverDrive/Distortion Pedal Review

Howdy!

It seems like a month does not go by when I do not review some sort of BOSS effect pedal, so today we are looking at the good old OS-2 OverDrive/Distortion pedal. It is probably one of the most popular crunch pedals on the planet, and that is because it is a pretty good pedal that comes in at a reasonable price.

Roland’s BOSS division makes effect pedals for the everyday working musician. These are folks that cannot afford the boutique pedals, or more realistically, they realize that good is good enough (sort of a Voltaire attitude). You have seen that you pay whatever you want can pay anything you want for guitar effect pedals, with the choices include crummy junk for twenty bucks all the way up to hundreds of dollars for stuff that was put together by people in first-world countries. BOSS pedals fall in the middle, as they are reasonably priced and good quality, making them a good value.

What exactly does an overdrive distortion pedal do? Well, this one is a combination of two other popular BOSS pedals, the DS-1 Distortion and the SD-1 Super Overdrive. It lets users blend these two effects to provide sounds that are appropriate for blues or metal, and most everything in between.

The OS-2 is a standard single-space sized pedal, measuring 2.9 inches wide by 2.4 inches tall by 5.1 inches long, and it weigh in at a touch under one pound. See? The metric system will never catch on as long as I am on watch! This pedal runs on a single 9-volt battery or it takes the optional BOSS PSA adapter.

It has the same general style as other BOSS pedals, but this one comes in a gaudy yellow. The outside of the sturdy metal case has a ¼’ input and output jacks, and a jack for the aforementioned AC adapter. The expected BOSS high quality is to be found here, with a smooth finish, clean wiring, and knobs that have a nice feel. These knobs include LEVEL, TONE, DRIVE, and COLOR. Here is a quick and dirty rundown of what they do:

- LEVEL: adjusts the sound level when the effect is applied. It should be adjusted so there is no volume change when the effect is turned ON.

- TONE: adjusts the tone of the modified sound.

- DRIVE: adjusts level of distortion.

- COLOR: adjusts balance between overdrive and distortion.

That is it, and after a quick look through the manual you can put it away and never need it again. About two minutes of knob twisting will get you the tone you are looking for and then you can move on with your life. It might be one of the easiest to use pedals I have come across.

The OS-2 works really well for guitar and just ok for bass due to the frequency range it is tuned to. I have used it with my Strat and Tele through my Twin Reverb, and was able to get a very bluesy tone with the COLOR knob more towards the overdrive side of things. Cranking the COLOR knob the other way with My Les Paul through a Bugera, I got a very crunchy hard rock/metal tone. It is surprisingly capable of working well with both single-coil and humbucking pickups. I did get a little hiss and hum when the distortion is cranked all the way up, but it was only noticeable when not playing. The COLOR knob is the magic part of this effect, giving it a tremendous amount of versatility, and it is the pot I fiddle with the most.

Mahalo!

Memory Lane: BOSS OC-2 Octave Pedal Review

Howdy!

The month would not be complete without a review of some sort of BOSS effect pedal, so today we are looking at the good old OC-2 Octave pedal. This is a darned good effect that was replaced in the BOSS line-up with the OC-3 in 2003.

Roland’s BOSS division makes effect pedals for the everyday working musician. These are folks that cannot afford the boutique pedals, or more realistically, they realize that good is good enough (sort of a Voltaire attitude). You have seen that you pay whatever you want can pay anything you want for guitar effect pedals, with the choices include crummy junk for twenty bucks all the way up to hundreds of dollars for stuff that was put together by people in first-world countries. BOSS pedals fall in the middle, as they are reasonably priced and good quality, making them a good value.

What exactly does an octave pedal do? It lets users fatten up their sound by adding up to two additional tones: one and/or two octaves below the original note.

The OC-2 is a standard single-space sized pedal, measuring 2.9 inches wide by 2.4 inches tall by 5.1 inches long, and it weigh in at a touch under one pound. See? The metric system will never catch on as long as I am on watch! This pedal runs on a single 9-volt battery or it takes the optional BOSS PSA adapter.

It has the same general style as other BOSS pedals, but this one comes in a subtle dark brown. The outside of the sturdy metal case has a ¼’ input and output jacks, and a jack for the aforementioned AC adapter. The expected BOSS high quality is to be found here, with a smooth finish, clean wiring, and knobs that have a nice feel. These knobs include OCT 1, OCT 2, and DIRECT LEVEL. Here is a quick and dirty rundown of what they do:

- OCT 1: adjusts the level of the one octave down tone.

- OCT 2: adjusts the level of the two octaves down tone.

- DIRECT LEVEL: adjusts the blend of the original tone and the effect.

That is it, you don’t even need a manual to figure this thing out. About two minutes of knob twisting will get you the tone you are looking for and then you can move on with your life. It might be one of the easiest to use pedals I have come across.

The OC-2 works really well for both guitar and bass. If you want it to track chords, it will not, and it is not always perfect when tracking single notes either, which is part of its charm. It allows for a more organic and less processed tone, and it really thickens things up nicely. Everybody should have something like this on his or her pedalboard. It is not something that will get used on every song, but when you need a fatter sound the OC-2 will deliver the goods. As a bonus, if you throw a phaser pedal into the mix, you can get some of the most awesome 1970s tones imaginable!

If you are searching for a good quality and effective octave pedal, the BOSS OC-2 fits the bill, and it is certainly simpler and easier to use than the four-knob OC-3. It will get the job done and is certainly reasonably priced with nice ones selling for around $60 to $100 on eBay. They seem to be holding their value well, so if you buy right it should always be worth what you paid for it.

Mahalo!

BOSS PH-3 Phase Shifter Guitar Effect Pedal Review

Howdy!

The month would not be complete without a review of some sort of BOSS effect pedal, so today we are looking at the P-3 Phase Shifter. This is probably the main competition for the venerable MXR Phase 90.

Roland’s BOSS division makes effect pedals for the everyday working musician. These are folks that cannot afford the boutique pedals, or more realistically, they realize that good is good enough (sort of a Voltaire attitude). You have seen that you pay whatever you want can pay anything you want for guitar effect pedals, with the choices include crummy junk for twenty bucks all the way up to hundreds of dollars for stuff that was put together by people in first-world countries. BOSS pedals fall in the middle, as they are reasonably priced and good quality, making them a good value.

What exactly does a phase shifter do? It performs comb filtering by splitting the input signal, introducing a very short delay on one of the signals, and then recombining them. That delay is also modulated (varied), and so the phase of one of the signal (relative to the other) is shifted. Remember the bass part on Nugent’s “Stranglehold” – that is a phase shifter. Do not confuse it with a flanger, which works in a similar manner but with a longer delay.

The PH-3 is a standard single-space sized pedal, measuring 2.9 inches wide by 2.4 inches tall by 5.1 inches long, and it weigh in at a touch under one pound. See? The metric system will never catch on as long as I am on watch! This pedal runs on a single 9-volt battery or it takes the optional BOSS PSA adapter (which is a good idea as it burns through batteries like crazy). It draws 50 mA at 9 volts, in case you are thinking of hooking it up to a pedal board power system. By the way, if you run the unit on battery, make sure you unplug the input when you are not using it, as either input jack acts as the power switch.

It has the same general style as other BOSS pedals, but this one comes in a shocking shade of chartreuse. The outside of the sturdy metal case has a ¼’ input and output jacks, an input jack for hooking up an external footswitch or expression pedal, and a jack for the aforementioned AC adapter. The expected BOSS high quality is to be found here, with a smooth finish, clean wiring, and knobs that have a nice feel. These knobs include RATE, DEPTH, RES (Resonance), and STAGE. Here is what they do:

- RATE: adjusts the speed at which the filter changes. It you crank it all the way to the left (MIN) the filter is OFF.

- DEPTH: adjusts the depth of the filter change. The filter effect turns OFF when turned all the way to the left unless the STAGE knob is in the RISE of FALL positions.

- RES: adjusts the strength of the filter effect. The more it is turned towards MAX, the more distortion will be heard.

- STAGE: selects the number of phase steps and the phase type. The 4, 8, 10 and 12 steps increase in depth the higher the number goes. RISE, FALL and STEP do exactly what they say: the sound will emulate rising, falling and non-consecutive tone effects.

A little more info about the external switch input is probably in order here. This jack allows the user to control some of the PH-3 functions in a hands-free mode with the EV-5 expression pedal. RATE can be changed with an EV-5 pedal expression, which sounds like a great idea – but I did not have one to try out the feature. Tap tempo can be controlled from a regular FS-5U external footswitch, which I do have, and it worked very well. You can do tap tempo without the footswitch, but it is way easier with one, so spend a couple of extra bucks to pick one up if you do not already have one.

The PH-3 works really well when you put it to work, and it does not take very long to get a good tone out of it. It has the ability to get classic tones (Step 4) and modern tones, and the unique rise and fall modes give a great unidirectional phase effect that is more modern and very usable. The ability to match it to tempo is a godsend, and there is not a lot of noise or hiss added to the signal chain. Pretty much it is a winner no matter how you look at it.

If you are searching for a good quality and effective phase shifter pedal, the BOSS PH-3 fits the bill. It will get the job done and is certainly reasonably priced with a list price of $208.50 and a street price of $129. They hold their value well on the used market, so you are better off buying new and getting the BOSS 5-year warranty.

Mahalo!

Keith McMillen Batt-O-Meter Battery Tester Review

Aloha!

It is a heartbreaker to have an effect pedal or active electronics battery die in the middle of a performance – we have all been there. But it is really expensive to change out all of your 9-volt batteries before a show, and sometimes it is a hassle to gain access to test them with a conventional battery tester. This is where Keith McMillen Instruments’ Batt-O-Meter comes to the rescue.

The concept behind the Batt-O-Meter is that you simply plug the permanently attached ¼-inch lead to an effect pedal input or an instrument output, and it will let you know if the battery is any good. You do not have to find a screwdriver or pull the pedal apart to get to the battery. This is a pretty cool concept!

But there is more to it than that, this is a pretty neat piece of equipment that is a bit smaller than a normal-sized stomp box, so it will easily fit in a guitar case or gig bag pocket. On the left ide is the test switch and another switch that allows you to select rechargeable, alkaline or carbon Zinc batteries. On the other side are external terminals, and on the bottom is the integrated lead with a gold-plated ¼-inch male jack.

Just plug it in an hold the test switch, and on its LED display, it is able to show battery type, voltage, percentage of battery life, hours remaining of normal use, and low battery status.

The Batt-O-Meter is powered by its own 9-volt battery (not included) with a self-test function.

So, when you plug it into a pedal, effect pedal or active guitar, it measures the power being pulled from the battery, compares that load to the battery's remaining energy, and calculates the remaining hours of battery life. 
The Batt-O-Meter is designed for circuits powered by a single battery 9-volt battery or combinations of AA or AAA batteries that come in under 10.23-volts (the maximum reading). One caveat is that the tester will only work with negative ground circuits (most pedals), so if you have a positive ground pedal you are SOL.

In my world, this thing worked really well. With my collection of pedals, I could not find any that would not work with it. My active basses are mostly 18-volt, but on my Jazz with EMGs it also delivered the goods. I did a few tests where I used the tester and then pulled the battery out and used a conventional voltmeter, and the Batt-O-Meter is very accurate. The only thing it did not work on was my Martin acoustic with factory-installed Fishman Isys preamp – it would not give any sort of reliable reading on it. On the plus side, this guitar has an easy-to open battery box, so it is not too big of a deal. Overall I give this product a solid A!

By the way, if you have a 9-volt, AA or AAA battery that is not installed, you can also use the terminals on the side of the Batt-O-Meter for testing. Easy as pie.

The Batt-O-Meter is a pretty neat piece of work, and it is going in my road case. If you work on guitars all the time you might want to think about getting one of these for the bench. It could save a lot of disassembly time when chasing down electrical problems. If you are interested in getting one they are not terribly expensive, with a list price of $34.95 and a street price of $20. Check one out for yourself!

Mahalo!

BOSS CS-3 Compressor Sustainer Guitar Effects Pedal Review

Aloha!

You can pay anything you want for guitar effect pedals, and the choices include crummy junk for twenty bucks (probably put together by little kids in sweatshops) all the way up to boutique pedals with prices so high that they must use unicorn hair for wiring. Somewhere in between are BOSS pedals, which are reasonably priced, good quality, and the mainstay of many working musicians. Today we are going to take a closer look at the BOSS CS-3 Compressor Sustainer pedal.

What exactly is a compressor sustainer pedal? Well, this one compresses louder signals and boosts softer signals, resulting in more even output. At the same time it can sustain your notes, making them sound longer. Putting these two features can result in a smoother sound, and this will work with either guitar or bass.

The CS-3 is a standard single-space sized pedal, measuring 2-7/8 inches wide by 2-3/8 inches tall by 5-1/8 inches long. Take that, metric system! In that same vein, it weighs in at around 15 ounces. This pedal runs on a single 9-volt battery or it takes the optional BOSS PSA adapter. It draws 11 mA at 9 volts, in case you are thinking of hooking it up to a pedal board power system.

By the way, if you run the unit on battery, make sure you unplug the input when you are not using it, as the input jack acts as the power switch.

It has the same general style as other BOSS pedals, but this one comes in a lovely shade of blue. The outside of the sturdy metal case has a single 1/4 input, a single 1/4-inch output and a jack for the aforementioned AC adapter. The expected BOSS high quality is to be found here, with a smooth finish, clean wiring, and knobs that have a nice feel. These knobs include Level, Tone, Attack, and Sustain, so it is not too complicated. Here is what they do:

Level: adjusts output level, not input level

Tone: high frequency boost and cut

Attack: enhances the intensity of each note by controlling how quickly the compression activates.

Sustain: adjusts the sustain time. If turned counter-clockwise it acts as a limiter.

The CS-1 was one of BOSS' first mass-production pedals, and it has changed quite a bit over the years as the model name has changed to CS-2 and then later to the CS-3. There seems to be a bit of hate out there for the CS-3, particularly with the changes in the circuit and the addition of a tone knob. That being said, I like having the tone pot on the unit so that no changes are needed to my guitar settings when I switch the pedal ON.

The CS-3 is at its best when it is asked to provide a high level of compression, and combining it with the right guitar/amp combination (think Les Paul and a Marshall). It certainly can squish things down, and there are definitely usable ranges, to be found though I would avoid anything outside of the 9:00 to 3:00 range as there is too drastic of a difference in tone when the unit is switched on. Increasing sustain seems to enhance the compression effect, so I usually keep it below 10:00. The tone control is very useful, and it helps dial out most of the muddiness that comes bout from the compression. With these settings the attack can be spot on without a ton of mush.

In a nutshell, the CS-3 is a pretty good pedal for a reasonable price, which is what BOSS is all about. This pedal would be good for hard rock and metal, but if you are playing jazz, country or blues it will not make you very happy because it is hard to get a clean sound out of it.

Unfortunately, there are a few downside to this unit. For starters, it does not have true bypass, which is something that everybody and their brother wants. In truth, there is some color added to the straight tone when bypassing the pedal, and gear nuts are fanatical about this. But more importantly, is that, no matter what the manufacturer says in their sales literature, this pedal is pretty darned noisy if the controls (Level and Sustain) are used very aggressively.

By the way, there is a considerable number of folks out there modifying these pedals to reduce noise and improve tone, but I have not had the opportunity to try one. If you have, please add a comment to let us know what you think!

If these are the features you are looking for and if you can handle a little extra noise in your signal chain, the BOSS CS-3 Compressor Sustainer may be the pedal for you. It will get the job done and is certainly reasonably priced with a list price of $154.50 and a street price of $99. They are way cheaper on the used market, but you will be giving up the 5-year warranty if you go that route. Check one out before you buy to make sure it is really what you want, and let me know what you think.

Mahalo!