Friday, March 22, 2019

Aguilar Tone Hammer 500 Bass Amplifier Review


Well, my latest Genz Benz Shuttle finally crapped out and I have given up on it. Seven year ago I said if I was happy enough with it, but that I though the Aguilar Tone Hammer 500 had a slight edge on tone. So... now I have an amp to match my two Aguilar 1x12 cabinets!

Aguilar has been making extra-nice tube bass amplifiers since 1995, and they have a reputation for high quality as well as a clean and warm vintage tone. The Tone Hammer 500 aimed to recreate this tone, but in a totally solid-state package; there is not even a tube for the pre-amp. By the way, this amplifier is essentially an Aguilar Tone Hammer preamp/direct box with a class D amplifier added on.

This unit is rated at 500watts at 4 ohms and 250 watts at 8 ohms, and it is very small, measuring 10" x 3" x 9". It is very light as well, coming in at around 4 pounds. Despite its light weight and small size it is very solidly built.

There are a few different controls on the front of the Tone Hammer 500, including these knobs: gain, master, bass, mid level, treble, and drive. Drive uses Aguilar’s Adaptive Gain Shaping circuit, which works by using the gain and mid controls to change the tone from warm all the way to overdrive. Also included on the front are the balance XLR out and effects loop jacks, as well as the ground lift, signal pad and a mute switch.

The back is pretty barren with two Speakon outs, the tuner out a voltage selection switch. Oh yes, and the power switch. I hate it when they put the power switch on the back.

I hooked the Tone Hammer 500 up to my pair of Aguilar GS112 cabs, one with a a tweeter and one without, and I am very impressed. I tested it out with my Nash P basses and my ESP 5-string, as well as some miscellaneous crap from around the studio, and I got some very tube-like tones out of it, and it is definitely voiced like the other Aguilar amplifiers I have played before.

With all of the controls set flat, it dis a wonderful job of reproducing the inherent tone of whatever instrument I was using at the time. And as I started to futz with the knobs (especially the drive knob) I was able to get a panoply of tones from it -- everything from an aggressive growl down to a warm and mellow purr. At high volume levels it never got very harsh, and I actually had trouble getting a high-fidelity tone out of it. They really did make this thing sound like a tube amplifier!

As far as volume goes, this thing is just as loud as my Shuttle, which was rated at 600 watts 9now it is rated at zero watts). I guess manufacturers can rate things however they want, but the proof is in the pudding. It is plenty loud for smaller shows or quieter bands, but if you are really going to crank it out and compete with the guys with the Marshall stacks, you will need to bring another amplifier or go through the PA system.

Aguilar’s is in line with the rest of the industry, and the Tone Hammer 500 has a list price of $999, and a street price of $749. I am happy with my choice, and hope that it holds up longer than the Genz!



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