Showing posts with label Rob Koral. Show all posts
Showing posts with label Rob Koral. Show all posts

Tuesday, March 26, 2019

Blues Blast Magazine Album Review: Zoë Schwarz Blue Commotion – This is the life I choose.

Good day!

This CD review was originally published in the June 29, 2017 edition of Blues Blast Magazine. Be sure to check out the rest of the magazine at www.bluesblastmagazine.com

Zoë Schwarz Blue Commotion – This is the life I choose.

33 Records

www.bluecommotion.com

www.33jazz.com

13 tracks / 59:32

Zoë Schwarz Blue Commotion has certainly been keeping busy, and earlier this year they released their fifth album in the last four years: This is the life I choose, a keen follow-up to their fantastic live release, I’ll Be Your Tonight. If you had the chance to listen to that CD you already know that this is a serious blues band with unique songs, tight instrumentation, and a powerful woman up front. This crew has not let up one bit, and their latest album is their best work yet!

Blue Commotion is based in the United Kingdom, with Zoë Schwarz on vocals and producer Rob Koral on guitar. Their comrades in arms include Pete Whittaker on the Hammond organ and Paul Robinson on drums, and the horn section of Ian Ellis (sax), and Andy Urquhart (trumpet) also join in for a few tracks. These folks are pros, and they were able to lay down all thirteen tracks (eleven of them originals) in just two days last October at Platform Studio. The result of this fast-paced production schedule is an album with a vibrant feel, and Zoë says that she likes to work “in the moment,” which has been very effective for this band.

The lyrics for the album’s originals were written by Zoë and Rob, and there also contributions from Phil Coles and Pete Feenstra. The songs are a neat mix of playful, sweet, and serious, and the ones related to living life in the music business will resonate well with listeners. For example, the title track sets the mood and theme for the album, as “This is the life I choose” provides a glimpse into the hearts and souls of musicians who put everything they have into their art. This power ballad is presented in a 1970s blues-rock format with cool dynamic changes and oodles of distorted organ from Whittaker and heavy drums from Robinson. Then there is “I Can’t Live Like That,” which has a completely different feel, going with an upbeat and funky sound that includes the horns of Ellis and Urquhart while Schwarz growls out the advice to message of not letting people get in the way of your dreams. And “My Baby Told Me So” spans the gap between blues and jazz with the message that, the blues and a faithful companion will make things seem a bit brighter, even if you are short on money.

Relationships are also a reliable source of song lyrics, and Blue Commotion heads there right off with the opener, “Hold On.” Coles’ words capture the essence of a dying romance, and the band delivers with Zoë’s edgy vocals and their hard rocking accompaniment, which includes a scorching solo from Rob. There is also an upbeat plea for unity with our fellow man with “People,” which has a decidedly international feel with its driving bass line and slick solo breaks from Rob and Pete. But, perhaps the most poignant track on This is the life I choose is “Broken,” a heartbreaking R&B song that addresses a hopelessness that many of will never know, but many will endure. This song has been released as a single, with proceeds going to charity to help the less fortunate among us; please keep this in mind as you listen to Schwarz’s emotional narrative.

This is the life I choose is a wonderful combination of modern blues sounds with infusions of jazz, funk, rock and soul. The songs are all well written and performed by a professional band, and the engineering and mixing meet the group’s high standards. Blues fans will surely dig this new release from Zoë Schwarz Blue Commotion, and if you will be on their side of the Atlantic you are in luck as they have plenty of UK shows and festivals scheduled. For those of us in the states, there is always the possibility that they will make it over here for a festival or a tour sometime soon. They are highly entertaining with a great catalog of original music, so hopefully they can make this happen!

Tuesday, July 11, 2017

Blues Blast Magazine Album Review: Zoë Schwarz Blue Commotion – I’ll Be Yours Tonight (Live)

Hello!

This CD review was originally published in the October 1, 2015 edition of Blues Blast Magazine. Be sure to check out the rest of the magazine at www.bluesblastmagazine.com

Zoë Schwarz Blue Commotion – I’ll Be Yours Tonight (Live) | Album Review

33 Records

www.bluecommotion.com

www.33jazz.com

12 tracks / 60:52

Sometimes bands release live albums when they have not recorded anything new in a while and they need to get something new on the market quickly. This is not the case with Zoë Schwarz Blues Commotion’s new live disc, I’ll Be Yours Tonight, which is has been released hot on the heels of their Exposed disc. They had no plans to make a live album at the time, but the opportunity arose and it turned out wonderfully!

I’ll Be Your Tonight is Blue Commotion’s fourth album in three years, and their first live release. It was recorded last November during a show at Richard Dunning’s “Tuesday Night Music Club” in south London and there are twelve songs in this set, all of them Koral and Schwarz originals, with the exception of a single cover from Billie Holiday.

This United Kingdom-based band is led by Zoë Schwarz on vocals and Rob Koral on guitar; their fellow members are Pete Whittaker on the Hammond and Paul Robinson on drums. On this evening they were joined by Si Genero on the harp and backing vocals, Ian Ellis on sax, and Andy Urquhart on trumpet. This line-up results in a very rich sound as they throw down an hour of the blues with a healthy injection of jazz, soul, and rock.

Blue Commotion’s set kicks off with “Your Sun Shines Rain,” a blues rocker with crunchy guitar, pointed harp accents, and a touch of cowbell in the intro. From this song forward you will hear why they decided to burn this show to a disc: the mix is well balanced and the band is obviously having a good evening – they are tight as a drum. Zoë also has a stellar evening as her vocals are strong, and her voice is one of a kind. It is tempting to compare her sound to other famous lead singers, but on further reflection her unique tone, diction, and inflection truly make her voice unique (in a good way).

For the second track on I’ll Be yours Tonight the crew dispenses the sole cover, Billie Holiday’s “Fine and Mellow,” and they gave this jazz standard a thorough rearrangement. They cut the tempo way back, added some blues, and gave Schwarz room to breathe her uncommon interpretation of the tune. The extra time and space adds a new dimension of drama to what is already a really heavy tune. The band can change moods in a heartbeat, as shown by their quick segue into “Let me Sing the Blues,” a countrified blues rocker. Pete Whittaker shines on his Hammond (with an awesome solo!) and Si Genero turns in a tasteful performance on the harp and joins in on the vocals for the chorus.

This group has a lot of depth and can carry off most any genre, and they include a lot of them in this show. One example of this is the plaintive jazzy blues of “We’ll Find a Way.” This slow song of loss and love is howled with true emotion, with an unexpected crescendo into a dramatic power ballad midway through. Then on the next track, “Say it Isn’t So,” they band unleashes a full force soul review with horns galore. These kinds of drastic changes from song-to-song could kill the momentum of an album, but this playlist was carefully sequenced, and the final result fits together very well.

After the heartfelt and soulful (though unconventionally rocking) gospel tune, “Beatitudes,” the band closes out this set with “Take Me Back.” Blue Commotion burns the club down on this one with Robinson’s jackhammer drums, Koral’s killer guitar work, and a little call and response from Si Genero. This was a cool way to finish things up, and it certainly leaves the listener wanting more.

If you want to see Zoë Schwarz Blues Commotion play live, you had better make your way to England, as all of the gigs on their schedule are at clubs there, but hopefully someday they can be lured to the States with some sort of festival or blues competition. In the meantime, you might want to think about picking up a copy of I’ll Be Yours Tonight, as it is the next best thing to being there.