Showing posts with label Indonesia. Show all posts
Showing posts with label Indonesia. Show all posts

Tuesday, September 20, 2016

G&L Tribute JB2 4-String Electric Bass Review

Hiya!

Not many G&L basses makes their way through the studio, but there is no good reason for this. They are generally well made, and maybe their under-representation on Rex and the Bass is just because there just are not as many out there as the ubiquitous Fenders.

On the off chance that you are not familiar with G&L, this company was founded by Leo Fender, George Fullerton, and Dale Hyatt in the 1970, and Leo worked there up until his death in 1991. Mr. Fender said this company’s products included the best designs he ever made, which is something coming from the guy who invented the Stratocaster and the Precision Bass.

G&L has made their name with quality US-made instruments, but these did not have entry level pricing, so a few years back they introduced their Tribute series of imported guitars and basses to reach a broader market. The Tribute JB-2 4-string bass we are looking at today was made in Indonesia, and it can certainly give its domestically produced counterpart a run for its money.

As you can probably guess from the model name, the JB-2 has a general Jazz Bass vibe. This includes the two single-coil pickups, the Fender-esque headstock with open-back chrome cloverleaf tuners, and a 1.5-inch nut width. Things get a less Fender like from this point. Most obviously, the contoured swamp ash body has sort of a P-bass shape, and lacks the offset waist that you would find on a Jazz Bass.

The body is available in either glossy clear or 3-tone sunburst, and there is no pickguard (though either would look nice with a bit of tortoise on it). The 34-inch scale neck is attached to the body with 6-bolts (and no neck plate), and comes with either a maple (3TS) or rosewood (natural) fretboard. There is a 12-inch radius to the fretboard, and there are 21-medium jumbo frets sunk into it.

The body is loaded up with a G&L high-mass saddle lock bridge (designed by Leo Fender) and a pair of Anico V pickups that were also designed by Leo and then tuned by Paul Gagnon, the Vice President of G&L Engineering. There is some discussion of whether these are US made pickups, but I have heard they are made at the Cort factory in Indonesia (where the rest of the bass is made). These pickups are wired through two volume pots and a master tone knob.

Assembly quality of this JB-2 is very good, and the folks overseas should certainly be earning more the terrible wages they get (about 50 cents per hour). The glossy clear finish on the nicely grained body is very good, and the neck and fretwork are better than a lot of new guitars I see coming from Gibson’s USA factories. The set up was very good right out of the box, with only a slight tweak of the truss rod to bring the action up a bit.

The overall playability and sound have a 1960s Fender vibe. The pickups are just as good (to my ears) as the US G&Ls, and the neck has a vintage Jazz Bass feel with a comfy C shape that is not too thin. This is a great bass for jazz and rock, and it is perfect for playing the blues. It has vintage tone galore, and I love the sound of Alnico pickups. It balances well on a strap and even though it is made of ash it is not too heavy, with this example weighing about 9 ½ pounds.

The dirt cheap labor allows the G&L Tribute JB2 bass to come in at a very reasonable price point, with most online sellers asking $449.99 for them (no case included), and nice used ones selling all day long on eBay for under 300 bucks. You cannot build a bass this nice for less money, so if you are in the market you might want to check one out!

Mahalo!

Sunday, June 19, 2016

Ibanez SR500 SR500BM Soundgear Bass Guitar Review

Hiya!

Soundgear basses have been a part of the Ibanez line-up for a long time, and I have always been taken by their appearance, which includes features like the asymmetrical headstock, oval fretboard inlays, and the carved body which its phallic upper horn. But, until now I have never had the chance to spend much time with one. So, here are my thoughts on the SR500 Soundgear bass (model SR500BM), now that I have had the opportunity to take one for an extended test drive.

This Soundgear bass is not an entry level bass, and falls in with the crowd of lower priced basses that have a lot of features for not much dough. The body is made of mahogany, and it is sprayed with clear urethane finish. The five-piece jatoba (huh?) and bubinga neck has a really cool joint at the body that helps it bolt on solidly and still provide good access to the upper frets. Like anybody really plays up there. There are 24 medium frets set into the rosewood fretboard on this 34-inch scale neck, and there is a 12-inch radius and a narrow nut that is a touch under 1.5 inches.

The electronics package is very good for a bass in this price range, featuring a pair of Bartolini MK1 humbuckers and a EQB-IIIS pre-amp. They are wired up through a 3-band EQ with volume and balance knobs, as well as a mid shift switch. Rounding out the specs, the hardware includes a beefy bridge and sealed tuners.

Ibanez had this SR500 built in Indonesia, and the folks there did a great job of putting it together. The neck joint could not be tighter, the finish is even, and the fret work is good with no sharp edges or uneven fret heights. The one I tests was new and straight out of the box, and it only took a ¼ turn of the trussrod to get the string height where I liked it, and intonation was ok, so this was one of the shortest set-ups on record. It came set up with some sort of 0.045 to 0.105 roundwound strings, which are a good match for the tone and touch of this instrument.

This craftsmanship combines with the materials to make for a really good instrument. This one plays very smoothly with a comfortable (and fast) neck and good ergonomics. The electronics package is versatile, and there are a lot of very usable rock, jazz, and metal tones that can be coaxed from it. It can be smooth or growly, and everywhere in between.

Oh, and I left one of the best parts for last – the SR500 will not break your back by any stretch of the imagination. The bass we are looking at here weighs in at 6 pounds, 13 ounces, which is about 4 pounds less than my Les Paul. Not bad!

The Ibanez SR500 Soundgear Bass is a versatile instrument that plays well and sounds good, and it is not super-expensive, either. These basses have a street price of $599.99 with no case (list $799.99), but I see them on closeout fairly often, and used ones do not seem to hold their value terribly well, so you might be better off watching Craigslist and eBay for a deal, as they come up pretty often. Check one out for yourself and see it is your cup of tea – you might be surprised.

Mahalo!