Mick Kolassa – Taylor Made Blues | Album Review

Mick Kolassa – Taylor Made Blues

Swing Suit Records

www.mimsmick.com

12 tracks / 48:09

Mick Kolassa has been a bluesman for decades, and over the years he has become an accomplished singer, songwriter and guitarist. But his waters go a lot deeper than that, as he is also on the Board of Directors of the Blues Foundation and all of the proceeds from his latest album, Taylor Made Blues, will be going to the HART Fund and Generation Blues charities that are administered by the Blues Foundation. If you are not familiar with these organizations, please look them up as they help artists in need and kids that are getting into the blues.

Kolassa’s latest CD is a solid set that includes eight Kolassa originals and four really neat cover tunes. This project was recorded at Ardent Studios in Memphis and it was produced by Jeff Jensen -- this was the successful formula for his last release, Ghosts of the Riverside Hotel). This disc features a host of Mick’s friends, including Jensen, Victor Wainwright, Bill Ruffino, Reba Russell, Chris Stephenson, “Long Tall Deb” Landolt, and more. Of course Kolassa plays his acoustic guitar and handles most of the vocals too. The album title is a play on Mick’s hometown of Taylor, Mississippi, which is just an hour and a half south of Memphis.

Kolassa shares his love for all kinds of blues in his original songs, and one of my favorites is the title track, a slick piece of laid back swampy blues that extolls the joys of sticking a little closer to home and living in a small town. Likewise, “My Hurry Done Broke” is a humorous country blues song that bemoans the impatience of others, especially when they are younger than you. And “I’m Getting Late” is a clever play on words that describes getting a little too close to the tornado that the gig scene can be. By the way, Bill Ruffino and James Cunningham hold down the backline throughout, and one could not hope for a better rhythm section.

But not every track is loaded up with chuckles and grins, as Mick uses song to express all kinds of emotions. For example, “Left Too Soon” is a sweet piece of jazzy blues that is used to convey regret for things that were left undone. And the closer, “Raul Was My Friend,” is a poignant tribute to a cherished friend, and this ballad is simply gorgeous.

The cover tunes are an interesting lot too, as they have been re-imagined a bit from their original versions. Graham Nash’s quirky pop tune “Prison Song” has been converted to slow-grinding blues with updated lyrics and gorgeous guitar work, including some baritone guitar from Colin James. The late Townes Van Zandt’s 1969 folk tune, “Lungs” is now suitable for a cocktail lounge, and Chris Stephenson’s piano really helps to set the mood. The Temptations’ funk masterpiece “Can't Get Next to You” is now a smooth blues rocker with backing vocals from Russell and Landolt, B3 from Stephenson, and guitar from special guest Castro “Mr. Sipp” Coleman. But the most fascinating of these is not even really a cover song, as Mick set Frank Lebby Stanton’s poem “Keep a Goin’” to a country blues / gospel soundtrack, complete with a vocal solo from Long Tall Deb.

If you just listen to the content and the musicianship, you will find that Mick Kolassa’s Taylor Made Blues is a really neat album that would make any blues fan happy. But, when you throw in the fact that the proceeds will further blues music education and help out musicians in need, this CD should be at the top of your purchase list. Why don’t you start your holiday shopping early, and pick up a copy today!

Jeff Jensen – The River City Sessions | Album Review

Jeff Jensen – The River City Sessions

Swingsuit Records

ww.jeffjensenband.com

www.swingsuitrecords.com

12 tracks / 67:00

Jeff Jensen is one of the most energetic and engaging performers on today’s music scene, and his live shows are an amazing blend of the blues, funk, rock, and roots genres. You may know Jeff from his last release, Morose Elephant, which was an excellent album. This left coast bluesman has done wonderful work since his move to Memphis in 2011 (where he was director for Brandon Santini’s band), and since then his grueling solo tour schedule has continued unabated.

His latest disc is The River City Sessions, a live show that was recorded in December 2015 at the Ardent Studios in Memphis, Tennessee with an audience of the band’s fans in attendance. Jeff provided the guitars and vocals for this show and was joined by Bill Ruffino on bass and Robinson Bridgeforth on the skins. This club-friendly set included eight original songs and three cool covers.

After a quick intro from the famed Memphis bassman, Leo Goff, the band kicks off with a searing rendition of T-Bone Walkers’s “T-Bone Shuffle,” complete with an almost jazz-like interlude. Jeff has a tremendous vocal range that comes off as natural and relaxed, and his guitar chops are first-rate. This is pretty much one of the best live shows you will hear, as in the controlled environment it is easier to get everything at the right levels. So, the end result is a studio album with the spontaneity and audience reactions of a live show. One take!

From there they segue into an original, “Make it Through,” which is more casual with a gulf coast feel. This fun blues-rock tune highlights the tightness and talent of Ruffino and Bridgeforth’s backline. Then, “Empty Bottles” uses more light-hearted lyrics over a simple beat to show another side of the band’s ability. Jeff lays down a smooth solo, and eventually the tune flips into a full-blown rocker.

The band included a couple of instrumentals to break up the set. “JJ Boogie” starts out with the audience enthusiastically clapping along and once the band get going on this driving song it becomes hard to believe that there are only three of them on stage. Changes in dynamics keep things interesting, and there is no boring flailing on the instruments to be found here. In fact, this is the most kick-ass instrumental blues that I have heard in a long, long time. The other instrumental is “Elephant Blue” (from the Morose Elephant album), and this up-tempo piece features chords that give it an Eastern European mood. You will even hear a bass solo here, and it actually good with no gratuitous popping or slapping.

Jensen and his friends came up with a couple of other covers for the audience’s entertainment. Tom Waits’ “Hear Attack and Vine” (also covered on the Road Worn and Ragged disc) is more conventionally constructed and accessible than the original, and Jeff hollers out Waits’ horrible lyrics that expose the darkness of man while Bridgeforth hits the drums with everything he has. The group finishes up the CD with Dylan’s “All Along the Watchtower,” and after a jazzy intro they turn it into something bluesier than Bob’s version, and smoother than how Hendrix played it. Pretty much it became a Jeff Jensen song at this point, which is a good thing.

If Jeff Jensen and the band needed to find gigs, The River City Sessions would be the perfect demo and would surely get them plenty of work. But looking over their website, it appears that they are really busy with a European tour, and there are many US dates scheduled after they get home. So, you need to give it a listen for yourself and use what you hear for motivation to get off the sofa and head out to one of their shows. This could be your ticket to the Jeff Jensen experience!