This CD review was originally published in the July 20, 2015 edition of Blues Blast Magazine. Be sure to check out the rest of the magazine at www.bluesblastmagazine.com
David Corley – Available Light | Album Review
10 tracks / 54:21
Some artists need to produce a few albums to find their groove, but that is not the case with David Corley as his debut, Available Light, is a heavy piece of work. He is not some fresh-faced, wet behind the ears kid, either: he passed the mid-century mark a few years ago and has been writing and playing for over thirty years. Fortunately he has chosen now as his time to shine, and he has delivered the goods in a big way!
Corley has a lifetime of cool experiences. Starting off life in Indiana, he moved all over the country and held down plenty of day jobs, but finally settled down back in the Hoosier State where he is a carpenter. But over the decades this mostly self-taught musician never quit reading and writing. His literary influences are no lightweights, with the works of Walt Whitman, James Joyce, and William Blake (and untold others) rattling around in his mind. You can get a glimpse of how his mind works as, breaking from what other artists are doing these days, he actually included handwritten lyrics for many of the songs on this disc. They are perfect evidence of his mature songwriting skills.
David wrote the music and lyrics for all ten tracks on Available Light, and laid down the vocals as well as some of the guitar, piano and bass parts. It is a self-produced effort and he enlisted the able help of Hugh Christopher Brown, who took on the producer role and manned the keyboards. They were joined in the studio by a respectable crew that included Tony Scherr on bass and guitar, Gregor Beresford behind the drum kit, and backing vocals from Kate Fenner and Sarah McDermitt.
It is not possible to classify these songs in any neat or orderly way. There is a bit of roots, blues, folk, country, and rock to be found here. Americana is probably the closest you will get to pigeon-holing this thing, but the depth of the lyrics and the musicality goes a bit beyond what you might expect from that genre. Corley’s voice is equally hard to place: there is some Lou Reed, Tom Waits, and Bob Dylan in there somewhere, but David has definitely developed his own unique growly baritone style.
Production values are high for this release, almost sounding like it was recorded live in the studio, but it is just a little too slick and well put together for that. Not that there is any digital trickery going on here: just a lot of hard work with analog equipment and a good set of ears to guide things. This is true for every song, including the title track, which kicks things off. “Available Light” is a solid opener that is built around the acoustic guitar and vocals, and it builds with drums, electric guitar, piano, B-3, and ethereal backing vocals.
After a few of these softer tunes, Corley turns up the rock with “The Joke” which layers acoustic guitar with electric rhythm and lead parts, and a significantly harder dose of drums and bass. This ability to switch easily from folk to rock, and everywhere in between, shows that David is not a one-trick pony. Somewhere in the middle of this spectrum is “Dog Tales,” which is the standout track from Available Light. The intro and the music are beautiful, but it is his vocal delivery that sells this song. His emotional howls are a marvelous contrast with the sexy sighs of Fenner and McDermitt.
It was hard to pick a favorite song, though, as there is not a single clunker to be found here. The sequencing of these diverse songs is spot-on and they flow well into a singular entity. With a running time of almost an hour, most of the tunes are pretty long, but before you know it, “The Calm Revolution” closes thing out with a slightly more psychedelic take on things thanks to its gloriously distorted electric guitars.
Though Available Light might not sound like the blues as you have come to expect it, David Corley certainly captures the spirit of the genre, and there is no denying that this is a mature album that is very well crafted. If you are willing to step outside the land of more conventional blues and venture into the realm of roots and Americana, this disc will be a great addition to your collection. Hopefully he will be gigging in the United States soon, as he is currently touring Europe where his music has really taken off. The really good news is he is thinking about starting another album this fall – you didn’t think that he spent thirty years writing and only came up with ten songs, did you?