Wednesday, July 18, 2018

Blues Blast Magazine Album Review: The Andy Drudy Disorder – Spark

Hello!

This CD review was originally published in the March 2, 2017 edition of Blues Blast Magazine. Be sure to check out the rest of the magazine at www.bluesblastmagazine.com

The Andy Drudy Disorder – Spark

Splash Point Records

www.andydrudy.com

www.splashpointrecords.com

7 tracks / 34:59

The Andy Drudy Disorder has to be one of the best band names in recent memory, and besides having a cool moniker this blues-rock project can really deliver the goods. They just put out their second EP, Spark, on Splash Point Records, but Mr. Drudy is no newcomer to the music business. Andy has been playing out and in the studio since the 1980s, plus he has produced some instructional publications and contributed his writings to guitar publications. Along the way he has traveled the world, including a stint at Musician’s Institute in Los Angeles, where he got to learn from artists that included Robben Ford, Larry Carlton, and Eddie Van Halen.

Andy is an outstanding front man with mad guitar skills, and this United Kingdom denizen put together a notable crew from both sides of the Atlantic to make his dream become a reality, as you will soon see. The seven tracks on Spark are all originals, and each brings something unique to the table.

The set kicks off with the title track, and “Spark” is an energetic boogie that features none other than Pat Travers on slide guitar and Stu Hamm on bass. Pat was a big influence on Andy, and it sounds like they have a ball on this cut. Rounding out the instrumentation on this song are Adam Bushell on drums and the horn section of Sue Richardson and Andy Panayi. Boogie might be too simple of a way to describe this song, as there are some tricky rhythms, a few bass solo breaks from Hamm, and outro that has a bit of a swing feel.

Drudy follows this up with “Jefferson County Blues,” which is completely different from the opener as it is stripped back to just Andy and his drum machine. On this relaxed piece of swamp blues the listener will find that Andy’s vocals are comfortably worn with a touch of gravelly character, and his acoustic guitar playing is clean. Again there is a coda to this song, this time with a seemingly drunken chorus accompanied by a mandolin. Interesting!

The vocals for “Don't Ever Let Me See Your Face Again” are provided by Jessica Greenfield, and her alto voice is simply gorgeous. The music that accompanies her is equally compelling, with a rich combination of acoustic and electric guitars, as well as multiple layers of vocal harmonies. For this track, the bass parts were played by Guy Pratt, a true bass hero who you may know from another British band - Pink Floyd. Guy lays down a killer groove with drummer Hugo Degenhardt, and this is essential for bringing this hard rocking tune together. This is one of the standout tracks on the album, and not coincidentally it is also radio-friendly and accessible.

“Cold Classical” finishes the set, and this instrumental is the brainchild of Andy and David Hentschel. David co-wrote this song and provided the keyboard parts, and his experience as an engineer and producer with bands such as Genesis and Queen results in a uniquely theatrical experience. As this is slower-paced tune with more sparse instrumentation, Drudy has the chance to soar melodically. His playing here brings to mind other British guitar heroes such David Gilmour, Mark Knopfler, and Gary Moore - what a cool way to bring things to a close.

Andy Drudy has shown flexibility by stepping outside the “normal” confines of modern blues-rock with Spark, and his willingness to try new things has paid off in a big way. His guitar playing certainly is amazing, but the music he has written to accompany it is equally good and this project represents a lot of hard work. Head over to his website and listen to a few of the sample tracks, I think you will be impressed!

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