Showing posts with label Tokai. Show all posts
Showing posts with label Tokai. Show all posts

Saturday, May 12, 2012

1981 Tokai Hard Puncher Bass Review

Aloha!

Those that know me are aware of my deep love for obscure Japanese basses, and today we are looking at yet another lawsuit-era bass: a 1981 Tokai Hard Puncher, a faithful and unabashed copy of a 1970s era Fender Precision Bass.

This bass seems to have been spared the indignity of ill-advised and unnecessary modifications over the years, which is a real blessing for me. Things are only original once, you know.

This one has a contoured P body with a lot more grain than I usually see in early Japanese basses, so it might actually be ash. A girl can always hope. It was sprayed with a stunning 3-tone sunburst with a bright red in it, and a 3-ply black/white black guard. The thumb rest looks to be original to the bass.

This Tokai’s 4-bolt neck is maple with a pretty rosewood fretboard that is still in excellent shape, front and back. The 20 medium frets are still in great shape, with very little visible wear. It has the typical 1 5/8” P width nut (plastic), but the neck is not overly chunky. I would call it a medium profile C shape. The truss rod adjusts at the heel, and it still turns easily.

The Hard Puncher headstock shape is an exact copy of one that would be found on a Precision Bass, and their logo even is styled to resemble Fender’s. Tokai always put campy small print on their headstock decals, and this one informs you that Tokai is “The Quality Musical Instruments of the World.” Word, my brothers.

The hardware is pretty middle of the road stuff. The machine heads are 3-screw open-gear pieces that kind of look like Fender tuners, the barrel knobs are kind of cheap looking with flaky chrome, and the bridge is a copy of a 5-screw Fender unit. If this one sticks around I will swap the barrel knobs out for nice ones and put a vintage Fender threaded saddle bridge on it. I love those things.

The pickup and electronics are original to the bass. There is not much to say about them except that they are exactly what you would expect – a split coil pickup with volume and tone pots.

This Hard Puncher is not terrible heavy, coming in a little under 8 ½ pounds according to my digital scale. It is pretty easy on the back, not to mention the eyes.

And it is very attractive. It is in very good overall condition, particularly when you consider it is 31 years old. The finish does not have very many blemishes and it still shiny – it has not been abused.

It is a good playing bass with no buzzing and a low action. The pickup has strong output (hotter than its contemporary Fenders, and there is no buzzing or static. I play P basses with the controls dimed, and this one really makes my SVT bark (in a good way). I like it a lot, so I might try to keep it around for a while.

By the way, this one still has the factory “40” sticker at the heel of the neck, which is an indication of what the original price was, which in this case would be 40,000 Yen. This would have been $181 in 1981 when this bass was built. Hopefully this helps illustrate why these basses were such a threat to Fender – the Hard Puncher was a lot of bass for the money at the time, and 1981 to 1984 Fenders bit the hairy root.

Tokai Hard Punchers are getting a little harder to find, but you can still find nice ones for under $500. If you want one, now is the time to buy as they are not going to get any cheaper.

Mahalo!

Wednesday, April 4, 2012

Inventory Update: Second Quarter of 2012

Hello!

I am sure that this is no surprise, but my collection is quite a bit different than it was on New Year’s Day. Here is what is around today:

1. 1977 Aria Pro II Precise Bass. This Precision Bass copy is in the shop for some fret work.

2. 1980 Aria Pro II SB-1000. The Jack Bruce/John Taylor model.

3. 1982 Fender JV Precision Bass. This early Japanese Fender bass outshines its contemporary US-made brothers.

4. 1983 ESP P-J Bass. Serial number 0008, formerly owned by Masayoshi Yamashita of the Japanese metal band Loudness.

5. 1983 Tokai Love Rock LS-50. Decent pickups and wiring really woke this guitar up.

6. 1986 ESP PPJ-160. Also formerly owned by Masayoshi Yamashita of the Japanese metal band loudness.

7.1980s ESP 400 Series Jazz Bass with EMG pickups. This one is one the chopping block. Drop me a line if you are interested. It is a peach!

8. 1980s ESP Custom P-J bass. Formerly owned by Tom Hamilton of Aerosmith.

9. 1980s ESP J-Four. May be on its way out, but it is a beautiful bass.

10. 1992 Fender Precision Plus. This boner bass is for sale; let me know if you are interested.

11.Kala solid mahogany soprano ukulele. A great travelling companion and a fond souvenir of Hawaii.

12. Kala solid mahogany tenor ukulele. Ditto.

13. Simon & Patrick Songsmith dreadnought. A consistently popular post for this blog.

14. Simon & Patrick Woodland 12-string acoustic. Also up for sale…

15. Orpheus Valley Guitars Rosa Morena. A sweet Bulgarian Spanish guitar.

16. Ernie Ball MusicMan Stingray Classic. Really the only bass I need.

17. Genz Benz Shuttle 6.0 with two 12-inch Shuttle cabinets. This one is still hanging in there!

18. Ampeg SVT-CL and SVT-810. Thunder of the gods.

19. Cave Passive Pedals. These are the still the only products on my pedalboard besides my trusty Boss tuner.

20. Fender Blues Junior III amplifier. The best small tube combo for the money.

Thankfully I only do this once a quarter…

Mahalo!

Sunday, January 1, 2012

Inventory Update: First Quarter of 2012


Hi there, and Happy New Year!

Looking through my stuff, there are a few changes to my collection, and a few more changes to come. Here is what is around today:

1. 1978 Fender Precision Bass. Incredible condition and Antigua. Mmmm.

2. 1982 Fender JV Precision Bass. The earliest Japanese Fender bass I have ever seen. Loaded with Jamerson flats, and everything a P Bass should be..

3. 1983 ESP P-J Bass. Serial number 0008, and formerly owned by Masayoshi Yamashita of the Japanese metal band Loudness. You have to have a PJ bass around.

4. 1983 Tokai Love Rock LS-50. The best sounding and playing Les Paul I have ever owned, and that is saying a lot.

5. 1986 ESP PPJ-160. The flat-out coolest bass I own. I will be writing about this one later on this month.

6. 2008 Fender Custom Shop 59 Re-issue Precision Bass. This one is one the chopping block. Drop me a line if you are interested. It is a peach!

7. 2009 Fender Mustang Bass. Candy Apple Red, competition stripes, and fresh out of Japan. Sweet!

8. Kala Tenor Ukulele. Also on its way out, as I have a sweeter one coming in.

9. Kala solid mahogany soprano ukulele. A great travelling companion, and a fond souvenir of Hawaii.

10. Cordoba 25TKCE Ukulele. On loan to a friend, but I will be selling this one too.

11. Simon & Patrick Songsmith dreadnought. This solid acoustic is still hanging in there; it is still a super-popular post for this blog.

12. Simon & Patrick Woodland 12-string acoustic. I will need to write this one up this month too.

13. Martin D-18V. I should play this more often, so I do not forget how much I like it.

14. Orpheus Valley Guitars Rosa Morena. A sweet Bulgarian Spanish guitar.

15. Sterling by MusicMan AX20. Perhaps the ugliest guitar I own, and also up for sale.

16. Genz Benz Shuttle 6.0 with two 12-inch Shuttle cabinets. How is it that I still have this set-up? Probably because it is so awesome!

17. Genz Benz Shuttle 3.0-8T. A powerhouse for its size, and a nice value on the used market.

18. Cave Passive Pedals. These are the still the only products on my pedalboard besides my trusty Boss tuner.

19. Fender Blues Junior III amplifier. A great amplifier for the money.

20.Fender Vibro Champ XD. I have been having a miserable time trying to sell this. I might have to trade it in at Guitar Center for a new set of strings or something.

Good thing I only do this once a quarter. It seems like I could do it once a week.

Mahalo!

Saturday, October 1, 2011

Inventory Update: Fourth Quarter of 2011


Hi there!

As no surprise to anyone, my inventory is a lot different than it was 3 months ago. Here is a snapshot of what is around today:

1. 1982 Fender JV Precision Bass. A natural relic with Jamerson flats.

2. 1983 ESP P-J Bass. The earliest ESP bass (serial number 0008) I’ve ever seen and a great player.

3. 1983 Tokai Love Rock LS-50. I breathed some new life into this one with Burstbuckers and decent pots. It is a transformed rock monster.

4. 2005 Fender Custom Shop Nocaster. This is really cool, but will not be sticking around long. Drop me a line if you are interested.

5. 2008 Fender Custom Shop 59 Re-issue Precision Bass. I need to write this one up. It is a peach!

6. Kala Tenor Ukulele. On loan to a friend right now.

7. Kala solid mahogany soprano ukulele. A great travelling companion.

8. Cordoba 25TKCE Ukulele. You have not lived until you have played an electric ukulele.

9. Simon & Patrick Songsmith dreadnought. This solid acoustic is still hanging in there; I think I may have had this longer than any guitar in my collection.

10. Martin D-18V. Must keep this one. Must keep this one. Must keep this one.

11. Sterling by MusicMan AX20. Bedazzled with the Rockstar Energy Drink logo, I bought this cheap off of a 7-Eleven owner. Really.

12. Genz Benz Shuttle 6.0 with 2 12-inch Shuttle cabinets. I am not tempted by Genz’s newer offerings, probably because I have never tried them. Ignorance is bliss.

13. Cave Passive Pedals. These are the still the only products on my pedalboard besides my trusty Boss tuner.

13. Fender Blues Junior III amplifier. An upgrade from my old Vibro Champ XD.

Just wait until the December 1st update. Who knows what I will have by then?

Mahalo!

Friday, April 1, 2011

Inventory Update:Second Quarter of 2011


Hi there!

What does Rex have in stock right now? I am sure everybody is dying to know, and a surprising number of guitars from my first quarter update are still here. Here we go:

1. Art and Lutherie Ami parlour guitar. This is not getting as much use as I thought it would, but I have some travel coming up and it might come along.

2. 1982 Fender JV Precision Bass. The oldest Japanese Fender I have ever seen. I recently had this one strung with Jamerson flats. My god, Magnum.

3. 1983 Fender JV Precision Bass. This one is still hanging in there. I have D’Addario flats on it, if I remember correctly.

4. 1984 Fender JV 62 RI Jazz Bass. This bass was really hard to find. It seems like there 20 JV P basses for every JV Jazz Bass that comes along.

5. 1997 Fender 52 RI Telecaster. I recently had this set-up with Ernie Ball 0.010’s, and this is the best-sounding Telecaster I have ever had. And the heaviest.

6. 1999 Fender 75 RI Jazz Bass. This is the only bass I have ever found in Japan that had flatwound strings on it. I left them on, and I think they are Ernie Ball Group III’s.

7. Kala Tenor Ukulele. Code named “Operation Bad Idea”. I need to put some more time into learning how to play this thing.

8. Simon & Patrick Songsmith dreadnought. I get a lot of comments about these guitars on my blog. People love these things.

9. 1983 Tokai Love Rock. This may be going on sale soon. Stay tuned.

10. Genz Benz Shuttle 6.0 with 2 12-inch Shuttle cabinets. I have somehow withstood the temptations of the Genz 9.0 and the new Genz Streamliner. The 6.0 is sticking around for now.

11. Cave Passive Pedals. These are the only products on my pedalboard besides my trusty Boss tuner.

12. Fender Vibro Champ XD. This amp has not been getting a lot of use lately, but it is not in my way either. I will be keeping it for awhile.

Check back on June 1st. You never know what the future will bring.

Mahalo!

Saturday, January 1, 2011

Inventory Update: 1st Quarter of 2011


Happy New Year!

I figured I would kick off the new year with a new feature: What does Rex have in stock right now? My friends know this is a moving target, but I figure I can draw a line in the sand at this moment in time and let you all in on my secret stash of goodness. I will try to update this once a quarter, so that everybody knows what is going on.

1. Art and Lutherie Ami parlour guitar. You will see me writing about this one soon. It is pure fun.

2. EBMM Stingray Classic 4 string. This is living in Chicago right now, but will probably find its way home to me.

3. 1983 Fender JV Precision Bass. The holy grail of Japanese P basses, and is the instrument that has lived in my stable the longest. Strung with flats, for the Motown thump.

4. 1994 Fender 62 RI Jazz Bass. Strung with rounds, this bass is sharp, and has had plenty of road wear and mojo applied.

5. 1997 Fender 52 RI Telecaster. I cannot believe that I have a Telecaster that is heavier than my Les Paul, but Fender figured out a way to make it happen for me. Bravo!

6. 1999 Fender 62 RI Stratocaster. Does this complete my collection of the major models from Fender?

7. Simon & Patrick Songsmith dreadnaught. The instrument I use the most, and a super-popular subject for readers of this blog. Go figure.

8. 1983 Tokai Love Rock. I love to use my Love Rock for rock.

9. Genz Benz Shuttle 6.0 with 2 12-inch Shuttle cabinets. No drama to report with this set-up. I am still in love with it.

10. Cave Passive Pedals. These are the only products on my pedalboard besides my trusty Boss tuner.

11. Fender Vibro Champ XD. A super-cheap guitar amp that is working out pretty well. I will be putting together a report on this one, too. Soon. Real soon.

Check back on April 1st. I am sure my selection will look completely different. There are already a few changes in the works.

Mahalo!

Tuesday, September 28, 2010

Tokai ES-100 Guitar




Howdy!

I have written before about the Tokai Love Rock Guitars, which are not terribly uncommon. But this Tokai ES-100 is a rare one. I had seen them in old catalogs, but this is the only one I have ever seen in person, and I had been looking for one for awhile before my guy in Japan pulled it out of his butt.

This is a gem, but before I get to the guitar, I had better explain the name. This is obviously a Japanese knock-off of the Gibson ES-335, so why not call it an ES-335? It is certainly not because they were afraid of being sued, as everything else about the guitar was copied.

The model name of Tokai guitars is based on their price. And this ES-100 sold for 100,000 yen (about $1000 nowadays), and the LS-50 Love Rocks sold for 50,000 yen. Easy! I am not sure if they are still using this nomenclature, but that is how it was back in the 1980s and 1990s.

The guitar we have here is from 2001 (I think), and is finished in 2-tone tobacco burst. It is in excellent condition. It is not terribly heavy, weighing in at 8 pounds, 1 ounce according to my scale.

This one is all original, and has not been modified. It has a plain top and the body is bound on the front and rear. The hardware and electronics are first-class, with Kluson-style tuners (supposedly made by Schaller) and PAF Vintage humbuckers. The controls are the same as a Gibson: 2 volume, 2 tone and a 3-way switch. 3-way! It has a non-trapeze bridge and tailpiece as used on Les Paul models.

The bound rosewood neck would make the Gibson guys despair. Even 10 years later the neck is better, and the frets are more level than on any ES-335 I have seen in years. The craftsmanship is superb.

It plays and sounds fantastic. It would be good for Jazz, or fantastic for rock. It has a ton of sustain, and the electronics sound very good with no unusual noise. This is a keeper.

The value of this is a little fuzzy since they are rarely up for sale. I bought this one for less than half of what I would have paid for a comparable used ES-335. For reference, a new Gibson ES-355 has a list price of $3889, and a street price $2750. That is just too much for what you get.

Happy motoring!

Tuesday, June 22, 2010

Vintage Power: Tokai Love Rock Lawsuit Guitar


Do you love to play rock music? If so, you need to track down an old Tokai Love Rock!

First, a brief history for ya’all. In the 1970s and early 1980s there were a number of Japanese guitar makers that built replicas of Fender, Gibson and (to a lesser extent) Rickenbacker guitars and basses. They were generally very good guitars, and priced very reasonably. Aria, Yamaha, Greco and Tokai cranked these out like pitchers of beer at a crowded Karaoke bar, and guitar players around the world rejoiced. The only problem was that Fender, Gibson and Rickenbacker got their panties in a knot, and sued the crap out of them for copying their distinctive designs.

One of the more popular designs to copy was the Gibson Les Paul. Today I will be discussing a fine example: a 1980 Tokai Love Rock. This is analogous to a Les Paul Standard model.

I found this one during a business trip to Japan, and scooped it up pretty cheaply. Generally, Japanese guitar players want old American guitars, and they consider old Japanese guitars to be junk.

Figuring out when this guitar was built was pretty easy. The serial number is 0103XXX, which is printed in ink under the clear coat on the back of the headstock. The online Tokai registry indicated that this means the guitar was built in 1980.

The body is mahogany, with a bound thick maple top. It is a solid body, not chambered, so it has the more classic Les Paul tone that you cannot find on the newer Gibson products.

It has a set Mahogany neck with a bound rosewood fretboard and a 44mm wide nut. The neck is nicely rounded, and has more of a 50’s style Les Paul feel to me The neck is straight and there is plenty of life left in the original medium frets. My tech set it up with 0.010 Slinkies with a medium action and it plays like a dream.

It has the original Tokai PAF humbucking pickups with plenty of output. It has a super-thick sound and it sustains seemingly forever. One odd thing is that the pots are seated in a printed circuit board, instead of being connected via a wiring harness. This would make service a little more difficult.

It had Grover tuners on it when I got it. I found a set of NOS Gotoh Klusen-type tuners when I was in Japan (on yet another trip), and had them professionally installed by my luthier. There were no extra holes drilled for the Grovers, so it was no hassle at all to put it back to original. The rest of the hardware appears to be original and is in good working order.

One rare thing about this guitar is that it came with the original Tokai hard case, which is in good condition. It is very uncommon to get a hard case with a guitar in Japan. Generally, they prefer gig bags, because they take up less space, and make it easier to use public transportation. Score!

So, what are the downsides to buying one of these instead of a Les Paul of the same era? There is no downside. The early 1980s were not the high point for Gibson quality, and this Love Rock is built better than any 1980s Gibson I have ever seen. Also this guitar weighs a little less than 10 pounds, while Les Pauls of the era come in at around 11 to 12 pounds.

Another thing you are not going to miss out on is the value of the guitar. These lawsuit-era Love Rocks go for very good money, between $900 to $2500, depending on condition, and model. Ones with highly figured tops go for the biggest cash.

Keep your eyes peeled on Craigslist and at your local pawn shops, and you might be able to make a good buy on one of these.