Showing posts with label Soundtrack. Show all posts
Showing posts with label Soundtrack. Show all posts

Friday, September 12, 2014

Album Review: Swamp People, Music Inspired by the TV Series

Good day!

This CD review was originally published in the August 22, 2013 edition of Blues Blast Magazine. Be sure to check out the rest of the magazine at thebluesblast.com

Various Artists – Swamp People, Music Inspired by the TV Series

Rounder Record Company

www.rounder.com

13 tracks / 48:40

I do not watch much television, let alone reality shows, so I was a bit nonplussed when the Swamp People, Music Inspired by the TV Series CD showed up in my mailbox. I am not familiar with the show and figured that it would be a compilation of mood music and kitschy dialogue from the show. I was wrong – this disc is chock full of first-rate blues, country, Zydeco, bayou, soul and roots music.

In case you are in the same boat as me, Swamp People is a reality show that has been broadcast on History since 2010. The show follows groups of Cajun alligator hunters as they ply their trade in Louisiana. It is quite a hit for the network, with millions of viewers for each episode. Who knew?

The songs on Swamp People, Music Inspired by the TV Series are not really derived from the show, but instead fit in with its theme. There is only one original track (the theme song, “Swamp People”), and most of the rest of the collection pre-dates the show, sometimes by decades. There are famous classic recordings mixed in with more obscure new music, and it all fits in well with the premise of the program.

The title track, Steel Bill’s “Swamp People,” is the newest song of the bunch and it was written specifically for the show. Its country rap stylings and lyrics remind me of what Kid Rock has been doing for the past decade. It will probably not become a classic, but Billy Joe Tharpe did a good job of making it match up with the subject matter of the show.

Things really pick up after this, and the rest of the album is fantastic. The Rounder folks did a nice job of combing their catalog for gems, and they stuck with the alligator theme whenever possible. First up is Jerry Reed’s “Amos Moses,” a hilarious country song from 1970 that details a one-armed gator hunter’s troubling upbringing and brushes with the law. Tony Joe White’s “Polk Salad Annie” is another winner. This swamp rock hit from 1968 was written by drawing from his hardscrabble upbringing on a Louisiana cotton farm. The lyrics are funny and a bit corny, but he pulls it off and it is a great song. Elvis covered it, you know…

The other king, Hank Williams, makes an appearance on Swamp People, Music Inspired by the TV Series. This CD would not have been complete without “Jambalaya (on the Bayou),” his 1952 country hit. There have been so many covers of this song that it was refreshing to hear his original again, which adds a bit of Cajun flavor as he recounts the life of partying and eating in the Louisiana style. If this song is not in your library, you are missing out.

One song that I never saw coming was The Neville Brothers’ “Fire on the Bayou.” I had not heard this 1981 soul/funk piece in the longest time, and it features the tight back line and beautiful vocal harmonies that these gentlemen are known for. The Neville Brothers are native sons of New Orleans, making the inclusion of this hit all the more appropriate.

A couple of neat instrumentals were thrown into the mix, too. Buckwheat Zydeco’s “Zydeco La Lauisianne” has a frenetic party pace and some lovely accordion work, and Amanda Shaw’s “French Jig” is full of fantastic Cajun fiddle. This young lady is one to watch, as her singing is just as good as her violin playing. Though she is only 22, she has already released four very good albums, and we will be seeing a lot more of her.

The album finishes off with an obvious choice, “See You Later, Alligator.” But instead of the popular (and predictable) Bill Haley and the Comets version, they went with the original performed by Bobby Charles, who is the man who wrote the song in the first place. Charles’ original is in the New Orleans blues style with some nifty drum work, and I prefer it over Haley’s rock and roll cover. To me, this is the standout track on this project.

So, do not judge Swamp People, Music Inspired by the TV Series by its title or by the show that inspired it. If you write it off because you dislike the show you will miss out on a fabulous amalgamation of Southern music. This stuff was recorded by the best the business has to offer over the past 50 years, so check it out if you get the chance!

Mahalo!

Saturday, December 18, 2010

Memory Lane: Pulp Fiction Soundtrack


Good day!

It is popular to hate Quentin Tarantino. I have friends that say that his films are pretentious and over-reliant on violence and pop culture references. I respectfully disagree, and feel that Pulp Fiction was the best film of 1994 and was robbed of the Best Picture Oscar by Forrest Gump.

What made Pulp Fiction come together for me was the soundtrack, and if you purchase it on CD you will get nothing but gems. In my opinion, this eclectic mix is the best collection of songs ever put together for a movie.

Excluding the ridiculous dialogue bits that they included, some highlights include:

”Miserlou” as performed by creepy old Dick Dale and his Del-tones. This is still a great song, though.

”Jungle Boogie” performed by Kool &the Gang. My god, when you DJ a party, everybody loves this one.

”Lets Stay Together” performed by Al Green. By far, one of the sexiest songs ever recorded.

”Lonesome Town” performed by Ricky Nelson. Can’t you just picture Ricky sobbing and doing lines of blow with Rams cheerleaders in between takes?

”Son of a Preacher Man” performed by Dusty Springfield. Sultry? Hell yeah.

”You Never Can Tell” performed by Chuck Berry. Very good, but I still like Emmylou Harris’ version better.

”Girl, You’ll be a Woman Soon” performed by Urge Overkill. Creepy? Hell yeah.

Tarantino has a knack for working these songs into the movie so that you never fail to associate them with their accompanying images. Just as I cannot hear “Stuck in the Middle With You” without picturing the torture scene in Reservoir Dogs, I cannot hear “Flowers on the Wall” without seeing Bruce Willis driving that ridiculous Civic. “Sorry, baby, but I had to crash that Honda”.

If I could change anything about the Pulp Fiction soundtrack CD, I would have left out the movie dialogue clips. I hate it when they pop up on my iPod when it is shuffle mode.

Mahalo!