Showing posts with label Nash. Show all posts
Showing posts with label Nash. Show all posts

Tuesday, April 8, 2014

Nash PB-63 Bass Guitar Review

Aloha!

Today we are looking at a very nice Precision Bass copy: a Bill Nash built PB-63. I was recently looking for a back-up P Bass, and this one definitely fit the bill and there is certainly not much to dislike about it.

Bill Nash has been assembling vintage-style guitars since 2001, and has gained a lot of respect and a faithful following because he builds guitars that play very well and sound incredible. All of his instruments received the relic treatment, so you will never have to worry about scratching one.

By the way, Bill Nash initials and dates the headstock on each guitar they build, and writes the serial number on the tip of the headstock. And the serial number convention is something I have not seen before. The first two letters of the serial number denote which dealer the guitar was shipped to. In this case the writing is sloppy, so I have no idea what dealer it was originally shipped to.

From its specifications, this PB-63 is a fairly faithful reproduction of a 1963 Fender Precision Bass. It has a three-tone sunburst nitrocellulose lacquer finish and a dead-on accurate tortoise shell pickguard (since changed to black). The maple neck has a C shape and a 10-inch radius rosewood fretboard with a 1 5/8-inch width Graphtech Tusq nut. They installed tall Dunlop 6105 frets on this one, which is a departure from the early 1960s standard.

The hardware is also true to the theme, with Kluson-style reverse tuners and a serrated-saddle bridge. Nash went with Jason Lollar pickups, which I think are the best choice for a P-bass these days. There is no pre-amplifier, just the expected volume/volume/tone pots. By the way, the pots are 250K CTS, and they included a Sprague Orange Drop capacitor in the circuit. Yay!

And all of these fabulous things were put together very well by the folks over at Nash Guitars. The craftsmanship is very good, with a comfortable neck and great fretwork. For those that complains that these are parts guitars, I say go buy a bag full of parts and see if you can do this good of a job. I have not found any dead spots, and the Lollar pickups sound very rich. It does not hurt that it is relatively light, coming in at 8 pounds, 13 ounces.

This is one of the best Precision Basses I have ever owned, and it should be for a street price of around $1900.

As with all Nash guitars, I am a little hung up on the way this one looks. Even though this one is described as having light aging, I think the relic process goes a little too far -- I guess I do not have to worry about scratching it. Also, there are no bridge cover or pickup cover holes drilled in the bass, which is an oversight for a 1960s Fender replica. If that is all I have to complain about, they must have done a good job!

If you have not had the opportunity to play a Bill Nash guitar or bass, I recommend you give one a shot. It may be the closest you will get to ever owning a pre-CBS Fender.

Mahalo!

Wednesday, March 19, 2014

2011 Nash JB-63 Jazz Bass Guitar Review

Hello!

Today we are looking at a fabulous Jazz Bass copy: a Bill Nash built JB-63. I was all out of Jazz Basses recently, and this one practically fell into my lap. What could I do?

Bill Nash has been assembling vintage-style guitars since 2001, and has gained a lot of respect and a faithful following because he builds guitars that play very well and sound incredible. These guitars have all received the relic treatment, and they will not build you a shiny new guitar. I’ve asked…

By the way, Bill Nash initials and dates the headstock on each guitar they build, and writes the serial number on the tip of the headstock. And the serial number convention is something I have not seen before. The first two letters of the serial number denote which dealer the guitar was shipped to. In this case it starts with “SND”, because it was originally shipped to Soundpure Music in North Carolina.

Spec-wise, this JB-63 is a fairly faithful reproduction of a 1963 Fender Jazz Bass. It has an alder body with a black nitrocellulose lacquer finish and a dead-on accurate tortoise shell pickguard. The slim maple neck has a C shape and a 10-inch radius rosewood fretboard with a 1 ½-inch width Tusq nut. They installed tall Dunlop 6105 frets on this one, which is a departure from the early 1960s standard.

The hardware is also true to the theme, with Kluson-style reverse tuners and a serrated-saddle bridge. Nash went with Jason Lollar pickups, which I think are the best choice for a J-bass these days. There is no pre-amplifier, just the expected volume/volume/tone pots.

And all of these fabulous things were put together very well by the folks over at Nash Guitars. The craftsmanship is very good, with a comfortable neck and great fretwork. I have not found any dead spots, and the Lollar pickups sound very rich. It does not hurt that it is relatively light, coming in at a touch over 9 pounds.

This is one of the best Jazz Basses I have ever owned, and it should be for a street price of around $1900.

As with all Nash guitars, I am a little hung up on the way this one looks. Even though this one is described as having light aging, I think the relic process goes a little too far -- I guess I do not have to worry about scratching it. Also, there are no bridge cover or pickup cover holes drilled in the bass, which is an oversight for a 1960s Fender replica. If that is all I have to complain about, they must have done a good job!

If you have not had the opportunity to play a Bill Nash guitar or bass, I recommend you give one a shot. It may be the closest you will get to play a pre-CBS Fender.

Mahalo!

Thursday, September 1, 2011

Nash PB-57 Bass


Hi there!

Today we are looking at a fabulous Precision Bass copy: a Bill Nash built PB 57. It is a great bass, but it won’t be sticking around too long.

Bill Nash has been assembling vintage-style guitars since 2001, and has gained a lot of respect and a faithful following because he builds guitars that play very well and sound incredible. These guitars have all received the relic treatment, and they will not build you a shiny new guitar. I’ve asked…

By the way, Bill Nash initials and dates the headstock on each guitar they build, and writes the serial number on the tip of the headstock. And the serial number convention is something I have not seen before. The first two letters of the serial number denote which dealer the guitar was shipped to. In this case it starts with “MB”, because it was originally shipped to the Mesa Boogie store in Hollywood.

Spec-wise, this PB-57 is a fairly faithful reproduction of a 1957 Precision Bass. It has an ash body with a Mary Kaye lacquer finish and an anodized pickguard. The beefy maple neck has a C shape and a 10-inch radius with a 1 ¾-inch width nut. They installed medium large frets on this one, which is a departure from the 1950s standard.

The hardware is also true to the theme, with reverse tuners and a serrated-saddle bridge. Nash went with Jason Lollar pickups, which I think are the best choice for a P-bass these days. There is no pre-amplifier, just the expected volume and tone pots.

And all of these fabulous things were put together very well by the folks over at Nash Guitars. The craftsmanship is very good, with a comfortable neck and great fretwork. I have not found any dead spots, and the Lollar pickups sound very rich. It does not hurt that it is relatively light, coming in at a touch over 8 ½ pounds (with the pickup and bridge covers installed).

This is one of the best P-basses I have ever owned, and it should be for a street price of around $1700.

But I am a little hung up on the way this one looks, so I will not be keeping it. The bass looks better in person than it does in these photos, but I think the relic process goes a little too far on this one. The vintage tint on the neck is a little too orange, and the wear marks on the body and neck go beyond what you would expect to see on any guitar. I must say that the aging on the hardware is very tasteful and realistic, though.

Anyway, a friend of mine is interested in this one, so I will be moving it along to him for what I paid for it. And, I have picked up a Fender Custom Shop Closet Classic with the same Mark Kaye finish to replace this one. Stay tuned for a review of that one!

Mahalo!