1985 Fender Squier Stratocaster ST-331 Guitar Review

Aloha!

Most of the 1980s JV and A-series made in Japan Fender guitars stayed fairly close to vintage specifications, though there were a few locking tremolos and nuts to be found. Squier instruments from the same time period had a few models that were more way out there, including the ST-331 Stratocaster that we are looking at today.

This Squier by Fender Stratocaster was built at the revered Fujigen factory on January 24, 1985, and it caries an A-prefix serial number. Deviations from the vintage norm include a sinister black appearance, complete with a matching headstock, a single humbucking pickup and a lone control knob. Metal!

The neck has a nice chunk of rosewood for the fretboard, and there are 21 frets and a plastic nut set into it. The frets show a little wear, but are in amazingly good shape for a 33-year-old guitar. As mentioned earlier, the headstock is painted black and there are 1970s style closed-back tuners installed. The back of the neck has a comfy oval profile to it and it feels just a little different than other Strats because this instrument has a shorter scale than normal: 24.75” instead of 25.5”.

The body has the traditional Stratocaster shape with a nice thick coat of poly finish. Hardware includes a classic tremolo with bent steel saddles, and a single-ply pickguard that looks dreadfully cheap. There is supposed to be a matching cover for the cavity on the back, but it has gone missing over the years. By the way, it is pretty light too, weighing in at under 7 pounds.

Last in the description is the electronics package, which is about as simple as it gets. There is a single Dragster humbucker pickup (7.61 Ohm) at the bridge, and a single volume control. And nothing else: no capacitors, circuit boards, or switches. So, it does just about exactly what you think it would, and that is provide a crunchy rock experience when driven hard. It is refreshing to play, as the tone is all about gain and whatever talent you have in your fingers.

This Strat is a good player and it sounds good, and I think it looks nice too. It has been played out so there are some dings and scratches, as well as some rust on the hardware, but it appears ready to go for another 33 years with a minimum of maintenance. I’m not sure where this fits in with collection, but I could definitely see unloading my LTD George Lynch Kamikaze and keeping this Squier instead. Hmmm.

Mahalo!

1984 Squier Stratocaster SQ CST-50 Guitar Review

Aloha!

Back in June I had a good trip overseas and picked up a few awesome Stratocasters, and one of them is the lovely 1984 Squier CST-50 that we see here today. I found this one at a Hard-Off (secondhand store) in Nagoya,Japan and was amazed to see the SQ prefix serial number when I looked it over. This thing is in amazing condition for a 33-year-old instrument!

I should probably explain the whole SQ thing. SQ instruments were very early production Fender Squier instruments that were built in 1983 and 1984, and were made by a different division of Fender. SQ models have the serial numbering and markings in the same location as the JV guitars, which are even more desirable. But still, SQ instruments are nothing to sniff at; they are usually excellent quality guitars they play well and look great.

Our subject guitar today is an non-export model Squier Stratocaster, model CST-50. I can usually decipher the model codes, but this one is a bit different. I am guessing that CST stands for “Custom” or something to do with Stratocaster (with a C at the front), and the 50 surely stands for 50,000 Yen (the original price). This instrument has a neck date of 6/27/84, and the body is marked “Black” in the neck pocket, which should be pretty self-explanatory.

Indeed, this guitar is finished in glossy black with a rosewood fretboard. When I first saw the guitar I thought it must be newer as it is in really good shape, and then I was pretty stoked to realize its actual age. It is obviously all-original, from the finish to the frets to the electronics. It is a 1970s style Strat, with the big block lettering and headstock, a 3-bolt neck plate, and a bullet truss rod adjuster.

The neck is very nice. The sealed-type tuners work fine, none are bent and they do not bind, but of course they just do not look quite right – Japanese reissues usually get something wrong. The frets are good, with almost no wear; the neck is true, and the truss rod works freely. It plays great and sounds just like a Strat should. It is also not very heavy, coming in at around 7 ¾ pounds.

I am not sure how this fits into my collection, as I have two JV Stratocasters (one Fender and One Squier) as well as a lovely E-series from 1986. So, I might be selling this soon -- drop me a line if you are interested!

Mahalo!

1983 Fender Japan JV-Series Squier Stratocaster Review

Aloha!

If you keep looking, eventually you will find a diamond in the rough, and that is the case with the gorgeous 1983 Fender Squier 1962 re-issue Stratocaster we are looking at today. This JV instrument has become my new #1 Strat, usurping my MIJ 1986 ’62 re-issue.

Maybe I should explain the whole JV thing. JV stands for “Japanese Vintage”, and was the serial number prefix for the first series of guitars that were built for Fender in Japanese factories, and they were produced between 1982 and 1984. These instruments were constructed at the Fuji Gen-Gakki factory in Matsumoto, Japan. This was the same factory that was building Ibanez and Greco guitars.

The JV-series instruments have become very collectible, and were built using the original blueprints to be authentic replicas of pre-CBS Fender models. These models usually got the full treatment, including vintage-style tuners and cloth covered harnesses, as well as the original body contours and neck radii. The quality of these put the US made Fenders of the time to shame, and therefore they were not imported to the United States, though I guess a bunch made it to Europe. I found this one at a second-hand store in Japan on one of my business trips, and had to bring it home.

Our subject guitar today is an non-export model Squier Stratocaster, and I think it is model ST62-65. You can decipher the model number pretty easily: ST = Stratocaster, 62 = 1962 reissue, 65 = 65,000YEN (original price). This instrument has a neck date of 6/10/83, and a body date of 6-83. This is fourteen months after the beginning of JV production.

This guitar is finished in creamy white with a rosewood fretboard. When I first saw the guitar and its JV-serial neckplate, I was pretty excited, but figured it must be a refinish or a fake – it just looked too good for a 33-year old guitar. But, I took it apart, and it is obviously all original, from the finish to the frets to the electronics.

It has the original electronics, but no cloth-covered wiring, so this must have been one of the cheaper models. The neck is very nice. The vintage-style tuners work fine, none are bent and they do not bind. The frets are good, with almost no; the neck is true, and the truss rod works freely. I did not like the nut as it was really short, so my tech installed a new one, set it up with 0.009s, and now it plays perfectly.

I believe this guitar is unmodified (other than that new nut), and I dig the vintage touches like the bent bridge saddles. By the way, I know that is a 1970s style Strat logo, but they still call this a 1962 re-issue. Go figure.

I might be selling my black 1986 E-serial Stratocaster, so drop me a line if you are interested. It is a pretty nice too!

Mahalo!

Squier Bullet Strat HH Electric Guitar Review

Aloha!

It used to be that entry level guitars were miserable and unplayable instruments that were likely to discourage a novice player from practicing. There are still plenty of axes out there like that, but there are also a surprising number of pretty good six-strings that you can buy new for under 200 bucks. The Squier Bullet Strat HH that we are looking at today is in this latter group, and you could sure do a lot worse things with your money.

This Strat was built in Indonesia in 2014, and it is finished in a breathtaking Sparkle Red poly with a nicely contrasting single-ply white pickguard. Obviously it has the traditional Fender shape, and this time the body is carved out of basswood. This is a great tone wood (in my opinion), and it is certainly lightweight and easy to shape. But this wood is also pretty soft, so you have to be careful about dinging it.

There is also the usual Fender-shaped headstock at the end of the maple neck. A nice rosewood fretboard caps this off; it has a 9.5-inch radius with 21 medium jumbo frets sunk into it. The frets are fairly well done and they are level enough. The edges are good enough, with no sharp edges or bevels that are too aggressive. By the way, this is a conventional 25 ½-inch scale guitar, and the nut has the normal 42mm width.

The hardware is fairly standard with a cheap-o tremolo and sealed tuners. Though the machine heads are cheap, they hold well. Then things get a little oddball with the electronics package, as this Strat is a more rock-oriented instrument. Instead of three single coils, it comes with two humbuckers wired through a three-way switch. Seems like a weird combination for a Stratocaster, but it is certainly workable.

Putting all of this together, and you end up with a decent instrument. It certainly looks good, but it also plays well (after a basic set-up) and sounds surprisingly good. It does not sound very much like a Strat as it has a lot more output and fatness, but it is also has a lot less noise than single-coil equipped guitars. It will get the job done, for sure.

As I said earlier, this is an entry level guitar, and it is certainly worth the money. The Squier Bullet Strat HH has a list price of $249 and a street price of $149, but if you look around you can usually find them on sale for around $100. This does not include a case or gig bag, but it is still one of the best deals you will find for a playable starter guitar. Check one out if you get the chance!

Mahalo!

Squier Vintage Modified Bass VI Review

Hi there!

Do you remember the heyday of the Ford Ranchero and the Chevrolet El Camino? They were a combination of trucks and cars, and people still argue today about how to classify them. Well, Fender did something similar with the Bass VI – a hybrid of guitar and bass that was introduced in 1961. They were not popular at the time so they did not make many, and now they are prized by collectors. In 2013 Fender’s Squier division re-issued this instrument as the Vintage Modified Bass VI, and now they are flying off the shelves.

The Bass VI is tuned E to E, and octave below conventional guitar, though some players install heavy guitar strings and tune them as a baritone guitar. It has a similar shape to the Fender Jazzmaster with a 21-fret, 30-inch scale neck. There are three single-coil pickups wired through volume and tone knobs, and four slider switches. The switches are ON/OFF for each pickup and a bass cut switch. The hardware is rounded out by a vintage six-saddle bridge with a floating vibrato. The Squier version is fairly close to the specs of the original, unlike the current Fender Pawnshop series Bass VI.

Looking this thing over, it appears to be a really nice piece of work from the folks at Squier’s Indonesian factory. The body is carved from basswood (light and cheap, plus it has the word “bass” in it) and is sprayed with an even glossy coat of Olympic White poly. These white instruments come with a faux tortoise shell pickguard. In case you are wondering, the Bass VI also comes in 3-tone sunburst with a tort guard, or black with a 3-ply white/black/white pickguard.

The modern C-shaped maple neck is pretty good, with smart looking pearloid block inlays set into its bound rosewood fretboard. The fretboard has a 9.5-inch radius, instead of the original 7.25-inch radius, making it a little better for playing guitar chords. I guess this, the profile and the block inlays are part of the “Modified” moniker of this instrument. They chose a synthetic bone nut that is 1.650-inches wide. The frets are medium-jumbo, and they are very well finished and level straight from the factory. I do not know how they can do that at this price point. The set-up left something to be desired, but after a bit of work the action was set well and intonation was good.

It all comes together well. This is a great playing instrument, and I do not have any trouble playing it guitar-style, and chords are pretty easy to achieve. Finger-picking aggressive bass parts can be a bit difficult if you are not paying attention, but adapting to this was easier than I thought it would be. The .025 to .095 strings have fairly low tension, so that might be something I will look into changing somewhere down the road. It is a compact size, and would be a handy for players that find full-sized basses to be too big.

The sound is really unexpected. It sounds like a bass with solid low end when cranked through my bass amps, and makes fairly normal guitar sounds when put through my Twin Reverb. This really is the Ranchero of guitars! The guitar pickups are a good match with this package, and I like that they reversed the polarity of the middle pickup to provide a little more crunch. The bass cut (“Strangle”) switch makes the sound a lot more guitar like, which is a nice feature. There is no extra hum or unusual noises with the one that I got.

I like it a lot.

I have saved the best part for last, and that is the price. The Squier Vintage Modified Bass VI has a MSRP $549.99 and a street price of $349.99. You would be hard-pressed to find a better bass/guitar for the money. By the way, I do not see many of these on the used market, so it appears that there are plenty of folks that agree with me.

Mahalo!

Squier Vintage Modified Jaguar Bass Special Review

Hi there!

Man, there is a huge difference between the entry-level instruments of today and the no-name pieces of junk that were around when I started playing. I recently picked up a Squier Vintage Modified Jaguar bass as a gift for somebody, and it is a very nice instrument for the price, and does all of the basic stuff that a bass guitar should do.

I know that some of you may sniff at Squier products as they are entry level Fender models, but they have a track record of providing very good instruments for the money.

This one was made by the fine folks in Indonesia, and is finishing a tasteful 3-tone sunburst. The poly finish is even and there is no orange peel (or fish eyes).

The offset-waist body of this one appears to be made of 5 pieces of basswood. You will also get basswood on the crimson basses, and agathis on the black ones. They installed a 3-ply pickguard, which is classy for a guitar in this price range.

It is loaded with a split single-coil Precision Bass pickup at the bridge and a single-coil pickup Jazz Bass pickup at the bridge. There is an active bass boost circuit, so there is a battery box routed into the back. The knobs control: neck pickup volume, bridge pickup volume, boost circuit, and master tone.

The 34-inch scale maple neck has a rosewood fretboard with 20 medium-jumbo frets set into it. It has a 9.5-inch fingerboard radius and a 1.5-inch nut and a true C shape. The matte poly finish on the neck feels smooth and fast.

The components of this bass work well together. With the PJ pickups and the active bass circuit, I was able to get a variety of thumpy and growly tones that cover all genres for me. I tried the single-humbucker model as well, and was unable to get a natural tone out of it. Stick with the PJ model (I have always been a fan of PJ basses, by the way).

The neck is fast and I was able to dial in a low action, and the body is well-balanced with no neck dive. This bass weighs in at a little less than 9 pounds, which is easy on the back.

There are a few shortcomings, however, which I attribute to the low price point. The tuners and bridge are cheap, and the saddles move around a lot when I am playing. My other gripe is that this bass was delivered to me with very sharp fret edges. It was a recent production bass, so I cannot blame it on fret sprout on an old inventory instrument. It took a lot of filing to make it pleasant to play.

But, you get what you pay for, and this bass was a stone cold bargain. You will find that the most attractive feature of the Squier Vintage Modified Jaguar Bass Special is its price, with a list price $329.99 of and a street price of $174.99.

If you are looking for an entry-level bass or a second bass to take your anger out on, this is the one.

Mahalo!